"The Apollo Pavilion almost looks as if it was built for a projection mapping, however, the deeper we got into the detail the more we discovered how difficult it was, especially when having to work with a model created from unverifiable data. It required both a custom workflow and all the technical tools in our projection-mapping arsenal to pull it off."
QED's Head of Digital Media Harry Ricardo
Due to the close proximity of homes, there was a curfew of works in place which meant that (including sunset) mapping time was restricted to only three and a half hours over two evenings. The limited window of opportunity was only able to be properly utilised because of the pre-production workflow that had been developed between the content output from Cinema 4D and the show delivery simulated within the disguise software.