Koper says, “pre-programming with disguise was perfect, all of us could see what the stage and content would look like.” He found the Sock Puppet feature “particularly helpful because all the layers were controlled through Art-Net. Another great function was the ability to assign every DMX parameter separately, for example, one DMX channel controlled the dimmer.” He also found the 2×4pro’s eight DVI outputs gave him “the flexibility to arrange outputs for the individual LED modules, which meant the possibility to create lots of feed maps.”
Koper has also recently finished working on the Intel Extreme Masters 2017, with “disguise at the heart of the multimedia” system.
Krzysztof Grabowski from Prolight, Poland, provided disguise technical support for the New Year’s Eve extravaganza. Adam Tyszka was the lighting designer and Piotr Szablinski from Razor Light Studio did the video design.