Case Study

Italian rockstar Vasco’s 2025 tour reaches new technical heights with Disguise

vasco rossi Disguise

In Italy, few artists command the cultural influence of Vasco Rossi. Known simply as Vasco, the 72-year-old icon continues to sell out stadium tours in seconds.

His 2025 tour spanned 14 shows across seven cities, drawing over 600,000 fans. With performances running close to three hours, the production demanded a visual system capable of delivering both scale and precision, night after night.

The show’s visual direction was led by Creative Show Director Pepsy Romanoff for EXCEPT, bringing together a collaborative graphics team including Chunk Studio and Gate1Studio (responsible for Notch content).

For this show, the team developed a fully real-time visual system that could respond dynamically to the live performance on stage.

To bring this vision to life, the graphics team leveraged Disguise – using Designer and a network of high-performance Disguise GX 3 servers to deliver Vasco’s most technically advanced tour to date.

vasco rossi Disguise

The Challenge

Vasco’s team introduced a new requirement for his latest shows: a clean, camera-led visual experience that would keep the artist fully visible on screen, while also allowing the show to be captured for a potential concert film.

Working as part of the wider graphics team led by Pepsy Romanoff, Chunk Studio and Gate1Studio collaborated to create visuals that were impactful without detracting from the stage. Gate1Studio focused specifically on developing Notch-driven content within this broader creative direction.

They chose a series of triangular-shaped frames that could be integrated into the LED walls that would adjust to the lighting, tempo, and camera perspective in the concert.

Yet with this solution also came some technical challenges. The first was that, with irregularly-shaped screens, the team needed extensive help previsualising what the graphics would look like and to troubleshoot any issues. 

The second challenge was ensuring the media server system could cope with the intense graphical output, alongside multiple motion-tracking systems required to create responsive, fluid visual changes.

With the visuals needing to react immediately to what was going on stage, this was a situation in which any lags or delays would have really affected the overall look and feel of the entire performance.

vasco rossi Disguise

The solution

The graphics team had a six month lead time to plan the visuals, allowing for multiple rounds of research and testing using Disguise’s Designer software. Designer was an essential tool for helping the team to effectively map their content to the triangular screens.

Using Disguise was the best option for us as it helped us do a lot of testing. The previs of the Designer platform works really well and can simulate the real LED walls without us having to be on site. We were able to do a lot of preparation in advance, but we could make a lot of changes in real-time and during the set-up days.
Lorenzo Venturini

Senior Notch Designer and Co-Owner of Gate1Studio

In terms of hardware, the production utilised five Disguise GX 3 servers to deliver seamless playback across the performances.

Notch content development and optimisation was handled collaboratively within the team, with close coordination between Gate1Studio and Disguise programmers to ensure stable, high-performance playback.

Lorenzo explains: “One of the issues we had is that you can’t guarantee performance quality – even when doing something like creating fire simulation on Notch. You would have to downgrade the simulation or change the content. But with Disguise we could really rely on the performance on stage. It was a real upgrade.”

The Notch integration with Disguise helped us come up with things that the team have never done before, including tracking and interactive frames. It was one of the most rewarding challenges we’ve ever had.
Lorenzo Venturini

Senior Notch Designer and Co-Owner of Gate1Studio

The results

Vasco’s 2025 concerts delivered a cinematic level of quality: immersive, creative, and technically ambitious, while maintaining consistent performance throughout the tour. No other artist in Italy currently produces a show with this level of visual impact and resources, with Vasco Live XXV standing as a truly international-level production in every respect. This includes the closing two shows at Rome’s Olympic Stadium, where Vasco performed in front of a crowd of 120,000 people.

vasco rossi Disguise
Disguise Equipment Used
Credits
Artist
VASCO ROSSI
Creative Show Director
Pepsy Romanoff (EXCEPT)
Graphics Team
Chunk Studio Milano, Gate1Studio (Notch)
Executive Producer
Maurizio Vassallo
Production house
Except film
Line producer
Enrico De Matteis
Assistant Director and music consultant
Alberto Cerchierini
Vision Mixer
Ettori Simone
Video Editor
Davide Olivastri
Concept Design - Art Direction and Motion graphics
Chunk studio Milano, Fabio Pini, Enrico Amato, Lorenzo Delmati, Davide Martorelli, Adamo Cameli
3D Artists
Davide Chiapperini and Gabriele Verga
Point Cloud designer
Gabriele Verga
Notch Designer
Lorenzo Venturini, Gate1Studio
Director of Photography
Lele Cerri
Producer
Simo Santandrea
Technical Video producers
Maxanchise
VLog Director
Dgaregnani
Tiger Engineer
Davide Botturi
Camera Operator
Mauro Gianesini, Fransisko 1975, Dzigale, Tally Talotta, Luna Videoitalia, Piersilvio bis
Producer assistant
Alice Frassoldati and Giacomo Besentini
Video Partners
Transaudiovideo, Matteo Robazza
Video Rental
Emgitaly, Mooviemag
Business Administrator
Micaela Spinelli and Studio Marco Ilari
Legal Affair
Avv. Simone Corini
Special thanks to
Cartoni camera supports
Powered by
Live Nation
Stage Manager
Diego Spagnoli
Light Design
Giovanni Pinna
Sound Engineer
Andrea Corsellini
Stage Design
Gioforma, Claudio Santux
Disguise programmers
Marco Piva, Nicholas di Fonzo
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